Skip to content
Collection 01 — Jewellery · Men’s capsule

Five pieces,
worn close.

A men’s capsule developed as one series rather than five separate articles: silver, stone and leather, held to the same finish standard so the pieces can be worn together without competing.

Sample piecesFive articlesGermany · 2026
Silver-tone wolf head pendant inside a runic ring, on a braided chain

Silver, stone, leather. Nothing extra asked for.

Each piece is judged the way it will actually be seen — in the hand, at arm’s length, under daylight. The questions are narrow: does the relief hold its edge, does the plating hold its colour, does the clasp still close after a season.

Nothing here is decided in the photograph. The photograph only shows what was decided.

01 / 05
Silver-tone wolf head pendant inside a runic ring, on a braided chain
Fig. 01

Wolf Rune Pendant

Pendant · braided chain

A wolf's head inside a ring of runes — the border is modelled, not engraved.

The head is built up from the mane outward, so the silhouette stays legible from a metre away. The recesses are oxidised and the raised surfaces polished; the chain is braided to carry the weight of the pendant without twisting.

Metal
Silver tone
Surface
Oxidised recesses, polished relief
Chain
Braided, supplied with the piece
02 / 05
Braided leather bracelet with two wolf heads, one silver and one gold tone
Fig. 02

Twin Wolf Bracelet

Bracelet · braided leather

Two heads meet at the clasp: one in silver, one in gilt.

The heads are modelled as a pair — same cast, opposite finish — and close on a steel ring. Braided leather takes the wear, so the weight stays in the two heads and the cord does the work.

Cord
Braided leather
Heads
Silver tone and gold tone, mirrored pair
Closure
Steel ring
03 / 05
Silver-tone claw pendant on a fine curb chain, worn over a black crew neck
Fig. 03

Claw Pendant

Pendant · curb chain

One curved claw, hung from the tip so it sits flat on the chest.

The claw is polished on the outside and left darker inside the groove, which is what gives the form its edge under daylight. The bail is small on purpose: the chain is fine, the pendant is not.

Metal
Silver tone
Finish
Polished, shadowed groove
Chain
Curb, supplied with the piece
04 / 05
Silver-tone cross pendant with channel inlay on a beaded chain, on slate
Fig. 04

Cross Pendant

Pendant · beaded chain

Cut-back arms and a channel running the length of the bar.

The edges are milled back so the cross reads as a section rather than a slab, and the channel down the centre is set in a darker metal. On a beaded chain it sits still — this is a piece that is meant to stay where it is put.

Metal
Silver tone
Detail
Channel inlay, cut-back arms
Chain
Beaded ball chain
05 / 05
Matte black volcanic bead bracelet with silver filigree spacer beads
Fig. 05

Lava & Silver Bracelet

Bracelet · volcanic stone

Matte stone, filigree spacers — no two stones the same.

Volcanic bead is the one material here that refuses to be uniform: the surface pits differ stone by stone, so the piece never looks manufactured twice the same way. The spacers are the counterweight — cast filigree, polished, set at fixed intervals.

Stone
Matte volcanic bead
Spacers
Cast filigree, silver finished
Pattern
Irregular by material, fixed by spacing
Before a sample is cut

Three things get fixed, and they do not move afterwards.

Metal

Alloy and assay agreed per article — reported in the quotation, not assumed from the sample.

Finish

Plating build and colour signed off against an approved physical sample.

Findings

Clasp, ring and cord tested for wear before the run is released.

These are sample pieces, photographed as supplied. Alloy, plating build, dimensions and weight are confirmed per article in the quotation — the images show finish and proportion, not specification.

Want this capsule in your own finish?

Send a reference, a drawing or a sample you already sell. We answer with what is realistic for a first sample and what the piece costs to hold at that standard.